The hyperreal is a liminal, libidinal, magickal space, the progeny of the technological and the postmodern. It is the seamless fusing of the real and the unreal, the physical and the virtual, the human and the artificial until there is no differentiating where they begin and, indeed, where they end. The snake consumes itself forever. You may find yourself, for different reasons at different times or in different locations, more in tune or involved with the hyperreal world and less with the physical real world. This is to be expected. And also to be encouraged.”

Brooks, A. 1975. On The Barricades, 17 February, Café de Flore, Paris.


“Do not allow what you consume to consume you.”

(2001, June 23) (graffiti). New York Subway car, New York.


“Vita Acies, Acies Vita.”

Caesar, J. 49 B.C. Crossing The Rubicon, 10 January, Rubicon River, Southern Gaul.


“When life feels like nothing matters,

When life is nothing but pain,

Listen now to what I am sayin’,

Just plaster on a fake smile,

And plough through the shit again.”

Beckett, J. (1992). “Fake Smile” [Recorded by The Beckett Brothers]. On Feral Electric Country [EP]. Glasgow, UK, GlasRecords.